Week 107: Hope

What is it with badness and hair?

What is it with badness and hair?

Donald Trump is leading in the Republican nominations. Hundreds of thousands of people in the Middle East and Africa are fleeing for their lives. North Korea, Zimbabwe and Russia are run as personal fiefdoms by fear-driven despots. A confederation of has-beens and the politically greedy in Britain are making up any old rubbish to persuade us to take our toys home and not play with the big boys and girls in Europe any more. And we’ve had two sunny days so far this year. It’s all looking the teeniest bit gloomy. Books, please.

To remind myself that the United States of America is largely peopled with lovely, intelligent men and women who will not be choosing to be governed by a fascist clown, a small part of this week’s NorthernReader bookshelf is dedicated to a celebration of the spirit of shining optimism that is the defining characteristic of all that is best about America. Gordon Wood’s The Radicalism of the American Revolution is widely regarded as the if-I-can-only-have-one choice, and who am I to disagree? Skipping forward a couple of centuries, anyone who said ‘the only thing we have to fear is fear itself’ earns a place among the angels, so let’s hear it for Franklin Delano Roosevelt. In his 1933 inaugural speech, Roosevelt went on to call fear ‘nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance.’ Absolutely right, I would say, and just about nails why lesser politicians find whipping up fear such a useful tool to get away with the flagrant abuse of democracy. Be afraid, be very afraid, our beloved leaders tell us; and look into my eyes, for heaven’s sake don’t use your common sense or your own judgment. Doris Kearns Goodwin’s No Ordinary Time reminds us that cometh the hour, cometh not only the man but in FDR’s case the woman too, with a perceptive study of how much Eleanor Roosevelt brought to the presidency as well as the marriage. For a taste of the positive impact of the New Deal, let us have Betty MacDonalds’ Anybody Can Do Anything, a witty first-hand account of life during the Great Depression and the recovery. And to remind ourselves that the enlightenment view of history does eventually prevail – that slavery, racism and hatred can be overcome – how about Taylor Branch’s monumental trilogy on the Martin Luther King years, starting with Parting the Waters?

hqdefaultCheery and uplifting books that look at the Middle East and tell us that ‘this too will pass’ might be a little trickier. That particular bag of rats is too close, too much of the present, for us to be able to look forward with confidence. The best that books can do for us is to remind us of the resilience of hope. Rory Stewart’s The Prince of the Marshes, his vivid and sometimes harrowing tale of his time in Iraq, does not have a fairy-tale ending, I am sorry to say; but read it together with Wilfred Thesiger’s The Marsh Arabs (or indeed anything by the piercingly good Thesiger) to at least deny Saddam Hussein the victory of wiping this entire culture off the face of the earth. An Improbable Friendship should win a prize if only for coming up with a title of such consummate understatement: written by Anthony David, it tells of the long and warm friendship between Ruth Dayan and Raymonda Tawil. Yes, that’s right, the wife of Israel’s Moshe Dayan and Yasser Arafat’s mother-in-law. It is impossible to read about these two remarkable women without, just for a hope-filled moment, imagining a world not governed by testosterone. Christine de Pizan’s The Book of the City of Ladies, anyone? So very much more optimistic that Caryl Churchill’s Top Girls, which, coming from the Angry Feminist (or Jolly Cross Feminist) school of the 1980s, now feels a bit wearying and dated. It has become a staple of school and university reading lists, and I do rather wish it could at least be balanced by a more positive feminist outlook. Suggestions please.

As for the so-called ‘debate’ about whether the UK should remain as a member state of the European Union: well, an obvious candidate for our shelf this week is Antony Beevor’s The Second World War. But we can also cheer ourselves up with some simply gorgeous European fiction and rejoice that we are lucky enough to be part of the same loose conglomeration of free-thinking, enlightened, rational men and women as – well, fill in names-of-your-choice here. Mine would include Umberto Eco and Italo Calvino, Muriel Barbery and Michel Houellebecq (although having taught undergraduates who struggled to spell Keats and Hardy correctly I do wonder what they’ll make of him), Patrick Süsskind, Seamus Heaney, Maj Sjöwall and Per Wahloo …. And so, deliciously and endlessly, on. In fact, retiring into the borderless world of intelligent writing might be the only possible way of getting through the next yawningly long weeks of spiteful half-baked threats and warnings that seem to pass for debate these days. Yes, yes, I know, ‘twas ever thus, and the benches in the House of Commons are set two sword-lengths apart for good, if outdated, reason; although over-confidence in the concept of a standard sword-length, let alone a standard arm-length, might well have proved unfortunate should it ever have been put to the test, so that – hurrah! – we can take this pretty piece of Parliamentary legend as proof that good manners (or at least not actually attacking the chap opposite, however tempted) do prevail. And the idea that rational, considered and courteous debate outranks trying to kill your opponent is the most hopeful paradigm for our fractious and troubled world. A copy of Debrett’s New Guide to Etiquette and Modern Manners might be the thirteenth fairy’s best gift to us all.

The feast or reason and the flow of soul. Democracy in action, Australian Parliament

The feast of reason and the flow of soul. Democracy in action, Australian Parliament


Week 67: Into the Dark

aurora borealisFirst, the good news. Here in the far north of England, our summer time stretches like silk across the sky. We are almost in White Nights territory and can read outside until nearly midnight (see Week 47). It follows, however, that at this time of year what passes for daylight blinks by like a moth’s eyelash. For the last few days, befuddled and bemused by the lack of melatonin, we have taken to standing under the kitchen lights, faces turned upwards in the middle of the day. To no avail: we are creatures of the dark, and feel drugged and stupefied with perpetual night-time. Like Hamlet’s dodgy uncle, we want to shout ‘Give me some light: away!’

Because we humans are not built for nocturnal life. At some deep level of the soul we have always known this, and made our gods as creatures of the sun. Apollo Phoebus, Ra: the heavens are teeming with gods laying claim to being the sun-giver. GK Chesterton’s Father Brown story, ‘The Eye of Apollo’, which you will find in The Innocence of Father Brown, shows what happens, both physically and spiritually, to sun worshippers: nothing good, in short. Better Chesterton’s Priest of Apollo, a thoroughly bad hat, however, than the really rather embarrassing sun-lovers in DH Lawrence’s short story, ‘Sun’ (better by far, incidentally, if you are in the mood for short stories, to read Lawrence’s ‘The Rocking Horse Winner’ and ‘Odour of Chrysanthemums’). Even Agatha Christie’s outstandingly dull Evil Under the Sun plays along with what seems to be a theme, that sunlight is bad for us and we’re better off under our quiet English clouds. This is of course nonsense, as the good folk of the sixteenth and seventeenth centuries knew. You will have noticed that all the most romping Renaissance tragedies take place in Hot Countries. Yes, yes, I know that their heroes and heroines do not live happily ever after, and that we are actually supposed to be appalled at the goings-on in the languorously Mediterranean countries in which they are set – Spain (Thomas Kyd’s The Spanish Tragedy, Middleton and Rowley’s The Changeling, which, if you happen to be unfamiliar with it, is an absolute treat, full-to-bursting with horror and mayhem) and Italy (Middleton’s The Revenger’s Tragedy, Webster’s fabulously bizarre Duchess of Malfi). The point these English playwrights were ostensibly making was, in essence, my dear, murder and treachery, what else would you expect from Catholic countries? But actually of course they make Spain and Italy sound a lot more zizzy – all that sex, apart from anything else – than dreary old Puritan London in the drizzle

But can I find any heroes for this long darkness? My hat is off to polar explorers, who voluntarily put up with this sort of thing for months at a stretch (the contemplation of which should put my whining at a few shorter-than-average daylight hours into some sort of perspective). There are good solid biographies of Scott, Shackleton and Nansen out there, and Shackleton’s own gripping South: The Endurance Expedition: but my favourite approach to the whole subject of Arctic exploration is Arthur Ransome’s Winter Holiday. Ransome, as I’m sure you know, was thoroughly acquainted with the very frozen north, not just in his beloved Lake District but also trotting across the battlefields of revolutionary Russia in his capacity as War Correspondent for the Daily News and The Manchester Guardian. The children in Winter Holiday put the NorthernReader household to shame (not a difficult task even at the best of times) as they buckle cheerfully down to stumbling around in the dark outdoors or making rabbit-skin mittens by lamplight.

Wallander - Series 3The lessening of the light is even more marked in Scandinavia than it is here, and the seemingly perpetual twilight provides the perfect sinister backdrop for a clutch of Swedish and Danish thriller writers. Henning Markell’s Wallander novels are atmospheric, bleak and disturbing: but if that’s your sort of thing, you must read the Martin Beck novels by Maj Sjöwall and Per Wahlöö. In ten novels, written at the kitchen table after the couple’s children had gone to bed, the modern crime novel is born. Calmly, meticulously, they create the genre of the police-procedural and use it to construct devastating critiques of contemporary society.

On second thoughts, perhaps gritty realism and gruesome murders are not my cup of tea at the moment. I’m having to keep the lights on all day as it is, just to get from room to room without bumping into the furniture: think of the reckless extravagance if I have to keep the lights on all night having frightened myself half to death. No, I shall be like Badger, who, you will recall, puts off even the urgent task of reforming Toad with the honest admission, ‘of course you know I can’t do anything now?’. And no sensible animal would question his wisdom. As Kenneth Grahame so rightly points out, ‘no animal […] is ever expected to do anything strenuous, or heroic, or even moderately active during the off-season of winter’ So that’s all right, then. If retiring to the study and putting a red spotted handkerchief over one’s face is good enough for the great Mr Badger at this time of year, it’s certainly good enough for me.badger